Sam’s Club In a World full pringcesses be a witch shirt
The first thing you need to understand is the background of the word “jolly.” It has reached the Sam’s Club In a World full pringcesses be a witch shirt now of being purely a noun, meaning a paid-for day out, commonly in your employer’s time. But a jolly? Strange word. Back in the relatively innocent days of the mid-twentieth century, jolly was a round-cheeked, smiling, uncomplicated word. It went with fat, beaming, seaside-postcard ladies, having a cheerful time on the beach or at the funfair, or Enid Blyton schoolgirls having a midnight swim down at the beach, or a midnight feast up on the roof of the jolly old school. It was all very jolly, with never any repercussions, and it was all jolly good. Before that, the word seems to have come from two possible directions, and quite possibly both of them. It may be from the French joli, meaning merrry or joyful, or from the Norse word jól, from which we get Yule, as an old word for Christmas festivities. Put them together and the result is a jolly good word for everyone having a good time. It’s a pity it’s been corrupted into having overtones of something slightly dishonest!
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In the beginning, Sundblom painted the image of Santa using a live model — his friend Lou Prentiss, a Sam’s Club In a World full pringcesses be a witch shirt. When Prentiss passed away, Sundblom used himself as a model, painting while looking into a mirror. Finally, he began relying on photographs to create the image of St. Nick. People loved the Coca-Cola Santa images and paid such close attention to them that when anything changed, they sent letters to The Coca-Cola Company. One year, Santa’s large belt was backwards (perhaps because Sundblom was painting via a mirror). Another year, Santa Claus appeared without a wedding ring, causing fans to write asking what happened to Mrs. Claus. The children who appear with Santa in Sundblom’s paintings were based on Sundblom’s neighbors — two little girls. So he changed one to a boy in his paintings. The dog in Sundblom’s 1964 Santa Claus painting was actually a gray poodle belonging to the neighborhood florist. But Sundblom wanted the dog to stand out in the holiday scene, so he painted the animal with black fur.
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